BLOG CHAINIt’s my turn to start the Blog Chain…WooHoo.  I picked a topic near and dear to my heart – emotions. 

How do you add emotional depth to your stories? How to do know when you have enough emotional content?  And how to you keep it authentic?

For me, emotional depth in a story is everything.  I want to feel everything the characters feel – if they cry, I want to cry, if they are angry, I want to be angry.   I want a visceral reaction.

But how do you create one?  I think emotional depth is one of the many layers added to the story – both during the original crafting of the story, and as part of the revision process.  

I have spent the better part of my adult life studying human emotion and behavior.  The same techniques I use in my professional life – observations of people, being very in tune with my own visceral reactions to things, a clear understanding of why people react the way they do – has enabled me to add an emotional backstory to my pieces.  I flesh out each character so I understand their motivations, their “story”.  That information helps me understand how my characters would react to things. 

Finally, the act of writing occurs.  The use of active verbs, sprinkled with describtive adjectives and the right mix of dialogue and narrative work together like the yarn in a tapestry, weaving emotions throughout the story.

The amount of emotions elicited by a scene is something a little harder to gage.  Every reader is different – so every reaction to emotional content is different.  In my critique groups I am an emotional nazi.  My crit buddies know that I am always looking at how characters react to things that occur – and likewise, how I am reacting to it.  Sometimes I find that while the details of the story are correct – good writing, good plot, good tension – I still am not “feeling” the way I want to in response to the events.  At that point, whether it is my piece or someone elses, I go back and read the section in question over and over, looking for the moment I lost a connection with the story.  This is often the place where the emotional context crumbles.  Once I can identify it, I can usually come up with a way to fix it.

Which leads me to authenticity.  Have you every read something and thought “no way, that person would NEVER do that”?  Maybe it happens because the character is flat in response to something big (like a friend dying, or finding out your love interest just left you – again).  And maybe it happens because a character is reacting strangely to an event (like giggling when something is profoundly serious, or angry without context).  I think emotions only work when they are authentic – something the character would DO based on what we, as the reader, know about them. 

I read a book once – something most people loved (and no, I am not spilling which book it was).  Suffice it to say that I hated it.  Really hated it. 

It wasn’t the writing, or the unphathomable plot.  It was the emotions.  They were off – too placid and disengenuous.  When I thought about the author, I realized that none of their books have intense dark emotions.  Not one.  The stories are excellent – the author just can’t go deep into the darker emotions of life.  I have experienced dificulties in this myself from time to time – not being able to really go as far as I needed to with a particular emotion because of my own hang ups.  Fortunately I have honest crit buddies who always tell me when my emotions are off.

Authenticity requires the authors to fully explore whatever emotion the character is experiencing – and fully commit to it.  This can be the hardest part of writing, because sometimes our characters go someplace too uncomfortable for us to follow.  We are left vulnerable, our insides splayed out for the world to see.  And yet, if we are going to add authentic emotions to the story, we have to be willing to “go there” 100%.

So there’s my take.  Go on over to Michelle’s blog tomorrow to see what she has to say on the subject. 

And what about you guys…how important is emotional context to you?  Are there times you can’t “go there”?  What do you do to work past it?




11 thoughts on “Blog Chain Time: Can you FEEL it?

  1. Oh, I totally agree that reading something where the character reacts in an unbelievable way makes me crazy. I also hate when characters are emotionally inconsistent – yuck.

    Great post!

  2. I absolutely have to fight with my own hang ups. I have a lot of very dark moments in my WIP, and I’m constantly having to turn off that part of my brain that cries out “Oh noes! What if Grandma ever reads this??” Instead, I try to remember that it’s what needs to happen for the story and, like you said, fully commit.

    It’s difficult, and it doesn’t help that we’re all at least a little nervous and crazy as writers ;).

    It’s excellent to hear about your process–thanks for sharing!

  3. Good topic! Yes, sometimes it can be hard to allow yourself to feel your character’s emotions. The hardest scene I ever wrote was about John Lennon’s death–on the anniversary of his death. After tackling that one, I feel capable of tackling just about anything. (Except something dealing with harm to children. That would be really hard for me to write now.)

  4. Hey Michelle – I know your post will be amazing!

    Kate – Emotionally inconsistent – love that phrase

    Rebecca – yep – definitely a little nervous as crazy

    Sandra – I have a hard time with emotions and young children too.

  5. Good post. Would like to add one more point: Emotion is also more deeply felt when the stakes are high and the character has a great deal to lose.

  6. You know I am learning to weave emotions into my writing, so I won’t go on and on there. But I want to plug critmates who are different than you are. That’s where the real growth happens. So thanks!

  7. I have been Slacky McSlackerton the past couple weeks and am finally commenting on this.
    This was a great topic and something I need to think about more in my own writing. I love what you say about authenticity. There is nothing more jarring than watching a character react in a way that doesn’t feel right.

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